旅行
账户
Mairwen1
18
Often Closed So Pop In If You See The Door Open
Chiesa di Santa Lucia的点评
点评：The Church of St Lucy is tucked away in a corner of, a little off the main corso. I had seen it before but this was the first time I’d found it open.
Built in 1653, the Baroque facade is unrestored, uncleaned and looks a little worse for wear. In its day, it would have looked quite grand. The main entrance is highly decorative, with columns and carved bunches of grapes but the niches on either side are empty and the original statues are long gone.
Inside, the church is also in need of some TLC but it has fared a little better than the outside.
The walls are mottled and discoloured but there are still a number of artworks and lovely white marble statues in the side chapels.
One of the noteworthy works is a painting of the Madonna by the Tuscan artist, Luca Signorelli. It’s at the front of the church, in a side chapel to the right of the altar. However when we looked, there were two paintings here - a brightly coloured, small painting of Mary and Child is set into a much larger and darker painting. Without more information, we couldn’t tell for sure which one was the Signorelli.
Arched niches on ether side of this chapel contained white marble statues of the disciples, Luke the Evangelist (on the right), and St Matthew (on the left). A bull, the symbol of strength and sacrifice lies at Luke’s feet and a small angel kneels at Matthew’s feet. The angel holds up a book for Matthew to start writing the pages that would become known as the first gospel of the New Testament.
Both the saints have pained, long-suffering looks. It’s probably not surprising considering that both died horrible deaths as martyrs - Luke was hanged from an olive tree while preaching in Greece and Matthew was stabbed with a sword in Ethiopia.
The high altar itself is quite bare except for a single crucifix. Behind the altar, there is an imposing black marble reredos which must have once held a large painting or decoration but is now filled with a blank panel.
Overall, this is not one of the main sights and if you have limited time in Monteulciano, there are other more impressive churches such as St Augustines, the Cathedral or St Biagio’s to see instead.
Built in 1653, the Baroque facade is unrestored, uncleaned and looks a little worse for wear. In its day, it would have looked quite grand. The main entrance is highly decorative, with columns and carved bunches of grapes but the niches on either side are empty and the original statues are long gone.
Inside, the church is also in need of some TLC but it has fared a little better than the outside.
The walls are mottled and discoloured but there are still a number of artworks and lovely white marble statues in the side chapels.
One of the noteworthy works is a painting of the Madonna by the Tuscan artist, Luca Signorelli. It’s at the front of the church, in a side chapel to the right of the altar. However when we looked, there were two paintings here - a brightly coloured, small painting of Mary and Child is set into a much larger and darker painting. Without more information, we couldn’t tell for sure which one was the Signorelli.
Arched niches on ether side of this chapel contained white marble statues of the disciples, Luke the Evangelist (on the right), and St Matthew (on the left). A bull, the symbol of strength and sacrifice lies at Luke’s feet and a small angel kneels at Matthew’s feet. The angel holds up a book for Matthew to start writing the pages that would become known as the first gospel of the New Testament.
Both the saints have pained, long-suffering looks. It’s probably not surprising considering that both died horrible deaths as martyrs - Luke was hanged from an olive tree while preaching in Greece and Matthew was stabbed with a sword in Ethiopia.
The high altar itself is quite bare except for a single crucifix. Behind the altar, there is an imposing black marble reredos which must have once held a large painting or decoration but is now filled with a blank panel.
Overall, this is not one of the main sights and if you have limited time in Monteulciano, there are other more impressive churches such as St Augustines, the Cathedral or St Biagio’s to see instead.
翻译：圣露西教堂藏在主街边的一个角落里。我以前见过它，但这是我第一次发现它开着。
建于 1653 年，巴洛克风格的外墙未经修复，也未经清洁，看起来有些破旧。在当时，它看起来应该相当宏伟。主入口装饰精美，有柱子和雕刻的葡萄串，但两边的壁龛都是空的，原来的雕像早已不见了。
教堂内部也需要一些 TLC，但它比外面好一点。
墙壁斑驳褪色，但侧面的小教堂里仍然有许多艺术品和可爱的白色大理石雕像。
其中一件值得注意的作品是托斯卡纳艺术家 Luca Signorelli 的圣母画。它位于教堂前面，在祭坛右侧的小教堂里。然而，当我们看的时候，这里有两幅画——一幅色彩鲜艳的玛丽和圣子的小画被镶嵌在一幅更大、更暗的画中。如果没有更多的信息，我们无法确定哪一幅是 Signorelli。
这座教堂另一侧的拱形壁龛里有白色大理石的门徒雕像，福音传道者路加（右边）和圣马太（左边）。一头公牛，力量和牺牲的象征躺在路加的脚下，一个小天使跪在马太的脚下。天使举起一本书，让马太开始书写后来被称为新约第一本福音书的页面。
两位圣徒都有痛苦、长期受苦的表情。考虑到他们都是作为殉道者悲惨地死去，这可能并不奇怪——路加在希腊传教时被吊死在橄榄树上，马太在埃塞俄比亚被剑刺死。
高坛本身除了一个十字架外空无一物。祭坛后面有一块气势宏伟的黑色大理石祭坛背板，上面一定曾经放过一幅大型绘画或装饰品，但现在却放着一块空白面板。
总体而言，这不是主要景点之一，如果您在蒙特乌尔恰诺的时间有限，还有其他更令人印象深刻的教堂可供参观，例如圣奥古斯丁教堂、大教堂或圣比亚焦教堂。
建于 1653 年，巴洛克风格的外墙未经修复，也未经清洁，看起来有些破旧。在当时，它看起来应该相当宏伟。主入口装饰精美，有柱子和雕刻的葡萄串，但两边的壁龛都是空的，原来的雕像早已不见了。
教堂内部也需要一些 TLC，但它比外面好一点。
墙壁斑驳褪色，但侧面的小教堂里仍然有许多艺术品和可爱的白色大理石雕像。
其中一件值得注意的作品是托斯卡纳艺术家 Luca Signorelli 的圣母画。它位于教堂前面，在祭坛右侧的小教堂里。然而，当我们看的时候，这里有两幅画——一幅色彩鲜艳的玛丽和圣子的小画被镶嵌在一幅更大、更暗的画中。如果没有更多的信息，我们无法确定哪一幅是 Signorelli。
这座教堂另一侧的拱形壁龛里有白色大理石的门徒雕像，福音传道者路加（右边）和圣马太（左边）。一头公牛，力量和牺牲的象征躺在路加的脚下，一个小天使跪在马太的脚下。天使举起一本书，让马太开始书写后来被称为新约第一本福音书的页面。
两位圣徒都有痛苦、长期受苦的表情。考虑到他们都是作为殉道者悲惨地死去，这可能并不奇怪——路加在希腊传教时被吊死在橄榄树上，马太在埃塞俄比亚被剑刺死。
高坛本身除了一个十字架外空无一物。祭坛后面有一块气势宏伟的黑色大理石祭坛背板，上面一定曾经放过一幅大型绘画或装饰品，但现在却放着一块空白面板。
总体而言，这不是主要景点之一，如果您在蒙特乌尔恰诺的时间有限，还有其他更令人印象深刻的教堂可供参观，例如圣奥古斯丁教堂、大教堂或圣比亚焦教堂。
© 2025 Tripadvisor 版权所有。
部分照片由 VFM Leonardo 提供。
TripAdvisor公司对外部网站的内容一概不负责。优惠价格中不含税和其他费用。
ICP证：沪B2-20200433
沪ICP备20013175号
沪公网安备31010502005427号鹰程信息技术（上海）有限公司
