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Budget Don Quixote at RAMT: gypsy dance, horse and donkey on stage
Russian Academic Youth Theatre的点评
点评：Next door to the Bolshoi, exactly 10 times less expensive but not as much worse!
A lot of fun, good value for money.
Let's start, however, with what's not there:
• There are no windmills. Because of this, the parallel reality with the dryads and the little cupid appears somewhat unexpected
• There is no puppet theater
• Sancho Panza does not play blind man's buff with the girls and no one throws him into the air
• And there are no daggers for the Street Dancer either
• Don Quixote's "Dreams" fly by instantly. That is, the soloists do their job, while the corps de ballet is mostly acting as pieces of furniture
I already told you before, their corps de ballet is not brilliant, to put it mildly, and they try to use it as little as possible.
Apparently, the production of "Don Quixote" by Alexei Fadeechev at the Bolshoi Theater was taken as a basis: the costumes are similar, and the synopsis, too.
True, somewhat simplified. But the stage director is very inventive and witty. He definitely knows how to turn the company’s weaknesses into opportunities.
For example, the jig:
At the Bolshoi this dashing dance to the music of Vassily Solovyov-Sedoy is usually performed by soloists or promising corps de ballet artists, which are many.
In a touring troupe, the problem is exactly the opposite – lack of staff!
And what did they do?
They employ the existing characters: the innkeeper and his wife, Gamache and Sancho Panza. But for such a small number, their strengths and skills are quite sufficient.
Moreover, the backup dancers in the background are young cooks of different ages and heights. A great idea! Everyone knows: if you want to touch the audience, let children on stage. Right?
I will not dwell on the costumes and scenery, you will see them on the photos.
The cast is always the same, next time most probably we’ll see the same dancers in Don Quixote .
Don Quixote — Yuri Kravets
Comically serious, as the Knight of the Sad Countenance should be. Frankly, he is not tall enough to be a real Hidalgo from La Mancha. But his beard is impressive, it goes almost to his waist! In general, the character is rather colorless, to be honest there is nothing special to say.
Sancho Panza — Kirill Shirko
He has a lot of fun, the part is mostly mimic, but memorable.
Gamache — Denis Tyurin
He even manages to dance a little, both on his own and when he and Sancho are thrown in to help the corps de ballet.
There are few men in the company, so these two dance together with the bullfighters, not to leave the sultry Spanish women alone.
Lorenzo, Kitri's father, innkeeper — Sergey Smirnov
Good acting. Look, when Basil kind of stabs himself, Lorenzo grabbs the knife and thoroughly examins it; why leave good instrument, it will come in handy for cookery!
Tavern Mistress - Daria Merinova
Already a respectable lady, but dances with a passion.
Gypsy - Yulianna Grishnova
Not exactly ballet, more of a ‘dance de character’
Cupid - Kristina Berdnikova
The younger of the two Berdnikovs, very small and nimble. You saw her in "The Fountain of Bakhchisarai" — one of the Polish brides.
Kitri's friends - Aldina Yakhina (dark-haired), Yulia Proshkina (fair-haired)
It's very easy to tell them apart thanks to this :))))
They also perform variations at the wedding.
It seemed to me that the dark-haired young lady moves with more liveliness. However, they are both very nice :))))
Street Dancer / Queen of the Dryads / Mercedes - Ekaterina Tokareva (all three)
Remember the wayward Zarema from ‘The Fountain of Bakhchisarai’? This is she.
Of these three parts, the most difficult is probably the Dryad.
Do you know what quite remarkable? All the young ladies have a good jump. Even if they do everything else so-so, they jump around the stage very briskly!
Toreador - Maxim Marinin
A very good-looking young man, impressive height and pleasant appearance. And where hasn't he worked, from Novosibirsk to the Mikhailovsky Theatre in Petersburg... Now he is on the staff of Gediminas Taranda“s Imperial Ballet of
His toreador turned out to be unusually imposing, with his own style and charm in spite of a few extra pounds...
Kitri - Lilia Orekhova
The only ballerina I remember "from the past".
It was her I watched in "Sleeping Beauty" almost 10 years ago. Here, at RAMT, with the Smirnov-Golovanov ballet. It was the first private troupe during perestroika, and, of course, they mainly worked abroad.
The joyful Kitri appears to be the part specially created for Liliya Orekhova, for her southern appearance and no less bright temperament. She still spins fouettés without moving aside, although a little slower than the music suggests. And she fearlessly flies all the way up, into the arms fo her skillful Basilio.
I was glad to see her again.
Basilio - Sergey Skvortsov
The public loves this charismatic dancer, and he loves the public. Before the final curtain goes, he always bows so touchingly, pressing both hands to his heart. The summer before last, he was officially named the best dancer of the "Ballet Seasons".
He seems to have been born with this powerful rotation, right off the bat. And his leaps are as impressive. Surely Basilio is a very proper part for him. I suppose he could make a very good Spartacus if any wandering company had the means to stage the Roman saga.
Well, two hours and a half and 2000 Rub for the balcony 1 row – not bad, isn’t it?
A lot of fun, good value for money.
Let's start, however, with what's not there:
• There are no windmills. Because of this, the parallel reality with the dryads and the little cupid appears somewhat unexpected
• There is no puppet theater
• Sancho Panza does not play blind man's buff with the girls and no one throws him into the air
• And there are no daggers for the Street Dancer either
• Don Quixote's "Dreams" fly by instantly. That is, the soloists do their job, while the corps de ballet is mostly acting as pieces of furniture
I already told you before, their corps de ballet is not brilliant, to put it mildly, and they try to use it as little as possible.
Apparently, the production of "Don Quixote" by Alexei Fadeechev at the Bolshoi Theater was taken as a basis: the costumes are similar, and the synopsis, too.
True, somewhat simplified. But the stage director is very inventive and witty. He definitely knows how to turn the company’s weaknesses into opportunities.
For example, the jig:
At the Bolshoi this dashing dance to the music of Vassily Solovyov-Sedoy is usually performed by soloists or promising corps de ballet artists, which are many.
In a touring troupe, the problem is exactly the opposite – lack of staff!
And what did they do?
They employ the existing characters: the innkeeper and his wife, Gamache and Sancho Panza. But for such a small number, their strengths and skills are quite sufficient.
Moreover, the backup dancers in the background are young cooks of different ages and heights. A great idea! Everyone knows: if you want to touch the audience, let children on stage. Right?
I will not dwell on the costumes and scenery, you will see them on the photos.
The cast is always the same, next time most probably we’ll see the same dancers in Don Quixote .
Don Quixote — Yuri Kravets
Comically serious, as the Knight of the Sad Countenance should be. Frankly, he is not tall enough to be a real Hidalgo from La Mancha. But his beard is impressive, it goes almost to his waist! In general, the character is rather colorless, to be honest there is nothing special to say.
Sancho Panza — Kirill Shirko
He has a lot of fun, the part is mostly mimic, but memorable.
Gamache — Denis Tyurin
He even manages to dance a little, both on his own and when he and Sancho are thrown in to help the corps de ballet.
There are few men in the company, so these two dance together with the bullfighters, not to leave the sultry Spanish women alone.
Lorenzo, Kitri's father, innkeeper — Sergey Smirnov
Good acting. Look, when Basil kind of stabs himself, Lorenzo grabbs the knife and thoroughly examins it; why leave good instrument, it will come in handy for cookery!
Tavern Mistress - Daria Merinova
Already a respectable lady, but dances with a passion.
Gypsy - Yulianna Grishnova
Not exactly ballet, more of a ‘dance de character’
Cupid - Kristina Berdnikova
The younger of the two Berdnikovs, very small and nimble. You saw her in "The Fountain of Bakhchisarai" — one of the Polish brides.
Kitri's friends - Aldina Yakhina (dark-haired), Yulia Proshkina (fair-haired)
It's very easy to tell them apart thanks to this :))))
They also perform variations at the wedding.
It seemed to me that the dark-haired young lady moves with more liveliness. However, they are both very nice :))))
Street Dancer / Queen of the Dryads / Mercedes - Ekaterina Tokareva (all three)
Remember the wayward Zarema from ‘The Fountain of Bakhchisarai’? This is she.
Of these three parts, the most difficult is probably the Dryad.
Do you know what quite remarkable? All the young ladies have a good jump. Even if they do everything else so-so, they jump around the stage very briskly!
Toreador - Maxim Marinin
A very good-looking young man, impressive height and pleasant appearance. And where hasn't he worked, from Novosibirsk to the Mikhailovsky Theatre in Petersburg... Now he is on the staff of Gediminas Taranda“s Imperial Ballet of
His toreador turned out to be unusually imposing, with his own style and charm in spite of a few extra pounds...
Kitri - Lilia Orekhova
The only ballerina I remember "from the past".
It was her I watched in "Sleeping Beauty" almost 10 years ago. Here, at RAMT, with the Smirnov-Golovanov ballet. It was the first private troupe during perestroika, and, of course, they mainly worked abroad.
The joyful Kitri appears to be the part specially created for Liliya Orekhova, for her southern appearance and no less bright temperament. She still spins fouettés without moving aside, although a little slower than the music suggests. And she fearlessly flies all the way up, into the arms fo her skillful Basilio.
I was glad to see her again.
Basilio - Sergey Skvortsov
The public loves this charismatic dancer, and he loves the public. Before the final curtain goes, he always bows so touchingly, pressing both hands to his heart. The summer before last, he was officially named the best dancer of the "Ballet Seasons".
He seems to have been born with this powerful rotation, right off the bat. And his leaps are as impressive. Surely Basilio is a very proper part for him. I suppose he could make a very good Spartacus if any wandering company had the means to stage the Roman saga.
Well, two hours and a half and 2000 Rub for the balcony 1 row – not bad, isn’t it?
翻译：紧邻莫斯科大剧院，价格便宜了 10 倍，但也没有那么糟糕！
非常有趣，物有所值。
但是，让我们先从没有的东西开始：
• 没有风车。正因为如此，与树精和小丘比特的平行现实显得有些出乎意料
• 没有木偶剧院
• 桑丘·潘沙不会和女孩们玩盲人摸象游戏，也不会有人把他扔到空中
• 街头舞者也没有匕首
• 堂吉诃德的“梦想”瞬间飞逝。也就是说，独奏者在做他们的工作，而芭蕾舞团主要充当家具
我之前已经告诉过你，他们的芭蕾舞团并不出色，说得客气一点，他们尽量少使用它。
显然，他们以莫斯科大剧院阿列克谢·法捷切夫的《堂吉诃德》为蓝本：服装相似，剧情简介也相似。
没错，有些简化。但舞台导演非常有创造力和机智。他绝对知道如何将公司的弱点转化为机遇。
例如，吉格舞：
在莫斯科大剧院，这种伴随着瓦西里·索洛维约夫-谢多伊音乐的潇洒舞蹈通常由独舞演员或有前途的芭蕾舞团艺术家表演，这样的人很多。
在巡回演出中，问题恰恰相反——缺乏工作人员！
他们做了什么？
他们雇用了现有的角色：旅店老板和他的妻子、加马什和桑乔·潘沙。但对于这么少的人数来说，他们的优势和技能已经足够了。
此外，背景中的伴舞是不同年龄和身高的年轻厨师。真是个好主意！大家都知道：如果你想打动观众，就让孩子们上台表演。对吧？
我不会过多地谈论服装和布景，你会在照片上看到它们。
演员阵容总是相同的，下次我们很可能会在《堂吉诃德》中看到相同的舞者。
堂吉诃德——尤里·克拉维茨
严肃而滑稽，就像悲伤面容的骑士应该的那样。坦率地说，他不够高，不能成为真正的曼恰伊达尔戈。但他的胡子令人印象深刻，几乎长到腰部！总的来说，这个角色相当平淡，老实说没有什么特别的可说的。
桑乔·潘萨——基里尔·舍尔科
他很有趣，这个角色主要是模仿，但令人难忘。
加马什——丹尼斯·图林
他甚至设法跳了一点舞，既有他自己跳的，也有他和桑乔被派去帮助芭蕾舞团的。
舞会上的男人很少，所以这两个人与斗牛士一起跳舞，不让性感的西班牙女人孤单。
洛伦佐，基特里的父亲，旅店老板——谢尔盖·斯米尔诺夫
演技不错。看，当巴兹尔刺伤自己时，洛伦佐抓起刀子仔细检查；为什么要留下好工具，它会在烹饪中派上用场！
酒馆女主人——达里亚·梅里诺娃
已经是一位受人尊敬的女士，但跳舞充满激情。
吉普赛女郎——尤利安娜·格里什诺娃
不完全是芭蕾舞，更像是“角色舞蹈”
丘比特——克里斯蒂娜·贝尔德尼科娃
贝尔德尼科夫兄弟中较年轻的一个，非常小巧敏捷。你在《巴赫奇萨莱喷泉》中见过她——波兰新娘之一。
Kitri 的朋友 - Aldina Yakhina（黑发）、Yulia Proshkina（金发）
由于这一点，很容易区分她们 :))))
她们也在婚礼上表演变奏。
在我看来，黑发的年轻女士动作更活泼。不过，她们都非常好 :))))
街头舞者 / 树精女王 / 梅赛德斯 - Ekaterina Tokareva（三人）
还记得《巴赫奇萨莱喷泉》中任性的 Zarema 吗？就是她。
在这三个部分中，最难的可能是树精。
你知道什么非常了不起吗？所有的年轻女士都跳得很好。即使她们做其他事情都马马虎虎，她们在舞台上跳得非常轻快！
斗牛士 - Maxim Marinin
一个非常英俊的年轻人，身高令人印象深刻，外表令人愉悦。他在哪里工作过呢？从新西伯利亚到圣彼得堡的米哈伊洛夫斯基剧院……现在他是格迪米纳斯·塔兰达的皇家芭蕾舞团的工作人员。
他扮演的斗牛士身材异常魁梧，尽管体重超标，但仍然有自己的风格和魅力……
Kitri - Lilia Orekhova
我唯一记得的“过去”的芭蕾舞演员。
近 10 年前，我在《睡美人》中看到的就是她。在这里，在 RAMT，与 Smirnov-Golovanov 芭蕾舞团合作。这是改革时期的第一个私人剧团，当然，他们主要在国外工作。
快乐的 Kitri 似乎是专门为 Liliya Orekhova 创作的角色，因为她的南方外表和同样开朗的气质。她仍然旋转着鞭子，没有移动，尽管比音乐暗示的要慢一点。她无所畏惧地飞到她熟练的 Basilio 的怀抱里。
我很高兴再次见到她。
巴西利奥 - 谢尔盖·斯克沃尔佐夫
观众喜欢这位魅力十足的舞者，他也喜欢观众。在最后的落幕前，他总是如此动人地鞠躬，双手放在心上。前年夏天，他被正式评为“芭蕾季”最佳舞者。
他似乎天生就具备这种强大的旋转能力，而且他的跳跃同样令人印象深刻。巴西利奥肯定是他最合适的角色。我想，如果有哪个流浪剧团有能力上演罗马传奇，他可以演一个非常好的斯巴达克斯。
好吧，两个半小时，第一排阳台的票价是 2000 卢布——还不错，不是吗？
非常有趣，物有所值。
但是，让我们先从没有的东西开始：
• 没有风车。正因为如此，与树精和小丘比特的平行现实显得有些出乎意料
• 没有木偶剧院
• 桑丘·潘沙不会和女孩们玩盲人摸象游戏，也不会有人把他扔到空中
• 街头舞者也没有匕首
• 堂吉诃德的“梦想”瞬间飞逝。也就是说，独奏者在做他们的工作，而芭蕾舞团主要充当家具
我之前已经告诉过你，他们的芭蕾舞团并不出色，说得客气一点，他们尽量少使用它。
显然，他们以莫斯科大剧院阿列克谢·法捷切夫的《堂吉诃德》为蓝本：服装相似，剧情简介也相似。
没错，有些简化。但舞台导演非常有创造力和机智。他绝对知道如何将公司的弱点转化为机遇。
例如，吉格舞：
在莫斯科大剧院，这种伴随着瓦西里·索洛维约夫-谢多伊音乐的潇洒舞蹈通常由独舞演员或有前途的芭蕾舞团艺术家表演，这样的人很多。
在巡回演出中，问题恰恰相反——缺乏工作人员！
他们做了什么？
他们雇用了现有的角色：旅店老板和他的妻子、加马什和桑乔·潘沙。但对于这么少的人数来说，他们的优势和技能已经足够了。
此外，背景中的伴舞是不同年龄和身高的年轻厨师。真是个好主意！大家都知道：如果你想打动观众，就让孩子们上台表演。对吧？
我不会过多地谈论服装和布景，你会在照片上看到它们。
演员阵容总是相同的，下次我们很可能会在《堂吉诃德》中看到相同的舞者。
堂吉诃德——尤里·克拉维茨
严肃而滑稽，就像悲伤面容的骑士应该的那样。坦率地说，他不够高，不能成为真正的曼恰伊达尔戈。但他的胡子令人印象深刻，几乎长到腰部！总的来说，这个角色相当平淡，老实说没有什么特别的可说的。
桑乔·潘萨——基里尔·舍尔科
他很有趣，这个角色主要是模仿，但令人难忘。
加马什——丹尼斯·图林
他甚至设法跳了一点舞，既有他自己跳的，也有他和桑乔被派去帮助芭蕾舞团的。
舞会上的男人很少，所以这两个人与斗牛士一起跳舞，不让性感的西班牙女人孤单。
洛伦佐，基特里的父亲，旅店老板——谢尔盖·斯米尔诺夫
演技不错。看，当巴兹尔刺伤自己时，洛伦佐抓起刀子仔细检查；为什么要留下好工具，它会在烹饪中派上用场！
酒馆女主人——达里亚·梅里诺娃
已经是一位受人尊敬的女士，但跳舞充满激情。
吉普赛女郎——尤利安娜·格里什诺娃
不完全是芭蕾舞，更像是“角色舞蹈”
丘比特——克里斯蒂娜·贝尔德尼科娃
贝尔德尼科夫兄弟中较年轻的一个，非常小巧敏捷。你在《巴赫奇萨莱喷泉》中见过她——波兰新娘之一。
Kitri 的朋友 - Aldina Yakhina（黑发）、Yulia Proshkina（金发）
由于这一点，很容易区分她们 :))))
她们也在婚礼上表演变奏。
在我看来，黑发的年轻女士动作更活泼。不过，她们都非常好 :))))
街头舞者 / 树精女王 / 梅赛德斯 - Ekaterina Tokareva（三人）
还记得《巴赫奇萨莱喷泉》中任性的 Zarema 吗？就是她。
在这三个部分中，最难的可能是树精。
你知道什么非常了不起吗？所有的年轻女士都跳得很好。即使她们做其他事情都马马虎虎，她们在舞台上跳得非常轻快！
斗牛士 - Maxim Marinin
一个非常英俊的年轻人，身高令人印象深刻，外表令人愉悦。他在哪里工作过呢？从新西伯利亚到圣彼得堡的米哈伊洛夫斯基剧院……现在他是格迪米纳斯·塔兰达的皇家芭蕾舞团的工作人员。
他扮演的斗牛士身材异常魁梧，尽管体重超标，但仍然有自己的风格和魅力……
Kitri - Lilia Orekhova
我唯一记得的“过去”的芭蕾舞演员。
近 10 年前，我在《睡美人》中看到的就是她。在这里，在 RAMT，与 Smirnov-Golovanov 芭蕾舞团合作。这是改革时期的第一个私人剧团，当然，他们主要在国外工作。
快乐的 Kitri 似乎是专门为 Liliya Orekhova 创作的角色，因为她的南方外表和同样开朗的气质。她仍然旋转着鞭子，没有移动，尽管比音乐暗示的要慢一点。她无所畏惧地飞到她熟练的 Basilio 的怀抱里。
我很高兴再次见到她。
巴西利奥 - 谢尔盖·斯克沃尔佐夫
观众喜欢这位魅力十足的舞者，他也喜欢观众。在最后的落幕前，他总是如此动人地鞠躬，双手放在心上。前年夏天，他被正式评为“芭蕾季”最佳舞者。
他似乎天生就具备这种强大的旋转能力，而且他的跳跃同样令人印象深刻。巴西利奥肯定是他最合适的角色。我想，如果有哪个流浪剧团有能力上演罗马传奇，他可以演一个非常好的斯巴达克斯。
好吧，两个半小时，第一排阳台的票价是 2000 卢布——还不错，不是吗？
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