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MKMapman
Well worth the steep climb up!
Musée Dauphinois的点评
点评：The Musée Dauphinois is approached by a long stepped path that offers a good view across the flat city below, and of the cable car that is one of the symbols of the city. Entry is across a cobbled courtyard; like all the provincial museums it is free.
The museum is on several floors; at ground floor level there are cloisters, with a large sinuous serpent-like installation called Écorcée, created in 2021 by an artist named Simon Augade. Built on a wooden frame, the installation is covered in wood shingles and appears to writhe around one side of the courtyard. Going up a level there was a temporary exhibition on the Bassari region spanning parts of Senegal and Guinea. Although very definitely not Dauphinois, it was quite good, and made some attempt to show had traditional culture is being modified by more Western values, with excellent use of videos, large photographs and well-labelled objects.
The floor above hosts the permanent collection Alpins – 7000 ans d’histoires, which looks at the development of civilisation in the French alps since Neolithic times. This was also well laid out, although there were three minute cartoons about life at various times that I though t slightly missed the mark. A detour part way took you up to the top floor for a gallery devoted to skiing. I enjoyed this, but might have found it less interesting if I had never skied myself. Towards the end, there was also an artwork inspired by people the mountains, including a hooded figure constructed from lorry inner tubes.
The museum is on several floors; at ground floor level there are cloisters, with a large sinuous serpent-like installation called Écorcée, created in 2021 by an artist named Simon Augade. Built on a wooden frame, the installation is covered in wood shingles and appears to writhe around one side of the courtyard. Going up a level there was a temporary exhibition on the Bassari region spanning parts of Senegal and Guinea. Although very definitely not Dauphinois, it was quite good, and made some attempt to show had traditional culture is being modified by more Western values, with excellent use of videos, large photographs and well-labelled objects.
The floor above hosts the permanent collection Alpins – 7000 ans d’histoires, which looks at the development of civilisation in the French alps since Neolithic times. This was also well laid out, although there were three minute cartoons about life at various times that I though t slightly missed the mark. A detour part way took you up to the top floor for a gallery devoted to skiing. I enjoyed this, but might have found it less interesting if I had never skied myself. Towards the end, there was also an artwork inspired by people the mountains, including a hooded figure constructed from lorry inner tubes.
翻译：沿着一条长长的阶梯小径可以到达多菲内博物馆，从那里可以欣赏到下方平坦城市的美景，以及作为城市标志之一的缆车。入口穿过鹅卵石铺成的庭院；和所有省级博物馆一样，它是免费的。
博物馆分为几层；一楼有回廊，里面有一个巨大的蜿蜒的蛇形装置，名为 Écorcée，由一位名叫 Simon Augade 的艺术家于 2021 年创作。该装置建在木制框架上，覆盖着木瓦，似乎在庭院的一侧扭动。上一层有一个关于巴萨里地区的临时展览，该地区横跨塞内加尔和几内亚的部分地区。虽然绝对不是多菲内博物馆，但它相当不错，并试图展示传统文化正在被更多的西方价值观所改变，通过出色的视频、大型照片和标签清晰的物品。
楼上是永久收藏的阿尔卑斯山——7000 年的历史，讲述了自新石器时代以来法国阿尔卑斯山文明的发展。这个展厅布局也很好，虽然里面有三分钟的关于不同时期生活的动画片，但我觉得有点偏离主题。中途绕道可以到达顶楼，那里有一个专门介绍滑雪的画廊。我很喜欢这个，但如果我自己从未滑过雪，可能会觉得它没那么有趣。最后，还有一件受山人启发的艺术品，包括一个用卡车内胎制成的带帽人物。
博物馆分为几层；一楼有回廊，里面有一个巨大的蜿蜒的蛇形装置，名为 Écorcée，由一位名叫 Simon Augade 的艺术家于 2021 年创作。该装置建在木制框架上，覆盖着木瓦，似乎在庭院的一侧扭动。上一层有一个关于巴萨里地区的临时展览，该地区横跨塞内加尔和几内亚的部分地区。虽然绝对不是多菲内博物馆，但它相当不错，并试图展示传统文化正在被更多的西方价值观所改变，通过出色的视频、大型照片和标签清晰的物品。
楼上是永久收藏的阿尔卑斯山——7000 年的历史，讲述了自新石器时代以来法国阿尔卑斯山文明的发展。这个展厅布局也很好，虽然里面有三分钟的关于不同时期生活的动画片，但我觉得有点偏离主题。中途绕道可以到达顶楼，那里有一个专门介绍滑雪的画廊。我很喜欢这个，但如果我自己从未滑过雪，可能会觉得它没那么有趣。最后，还有一件受山人启发的艺术品，包括一个用卡车内胎制成的带帽人物。
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